Poems with Imagery

There's a word for the way your coffee cup still sits on the second shelf where no one else would put it—

I woke before you and did nothing about it. The radiator ticked. Your shoulder rose and fell.

My hands still set the table for two. Not every night—just Thursdays, when my hands forget

We don't say I love you anymore. We say: your phone is at eleven percent. We say: I picked up the thing

I write you letters in my head on the bus, in the shower, in the three seconds

My father's chair still faces the window where he watched the street as if expecting a delivery

The strangest part is the ordinary: how the fridge still hums its one note, how the bills arrive

You are not the friend who arrives with flowers. You are the friend

We are forty now and live in different cities with different groceries. You buy oat milk. I buy the regular kind.

I used to draw the map with more on it— the house would be bigger, the job would have a window,

My mother's hands could find a fever through a forehead, could tell a melon's ripeness

My father's workshop smelled of pine and something electrical— the ozone ghost of a drill

She does this thing with bobby pins— holds three between her lips like small dark fish

I mean the way he folds the map even though the phone knows where we are. I mean the scar above his eyebrow

After the rainfall, a snail draws its silver line across the stone step.

November twilight— the scarecrow still stands alone. Sparrows left in June.

I don't know what I believe but I know the feeling when the light hits the kitchen table

You have never asked me how my day was and yet you are the only one

It isn't sadness. Sadness has a shape— you can walk around it, point to it, explain it to a doctor

August is a thief who comes dressed as a gift: the peach at its most golden

The windows fog with everything we've made— the stew, the bread, the kettle's weary sigh— and past the glass the garden starts to fade

Every night I visit a house I have never lived in but my hands know where the light switch is.

Praise the cracking open of the seed, the blind ambition of the buried root, the robin's first bewildered, breathless creed

O body, you magnificent disaster, you creak now getting out of chairs and take the stairs a half-beat slower

The machines keep count of something— not life exactly, more like the argument life makes

This morning you stood at the mirror and cursed your hair with a creativity

He doesn't know I keep a list. Not on paper—in the body, in the part that doesn't forget.

Bring nothing. Bring your body and your coat and a tissue you will find

I've started keeping Saturdays the way some people keep a journal— every detail logged,

There is a jacket on my chair that doesn't belong to me, and this is how you know

My sister knows the password to every secret I've owned since 1996,

Spring doesn't arrive. It trespasses— one crocus first,

Children don't walk anywhere. They haven't learned the adult art of getting from one place to another

My grandmother's kitchen had no recipe book. She measured everything

You are leaving. I know this the way I know weather— not from the forecast

What I think about most is not the miracles— the water, the wine,

Flowers, I have learned, are not about beauty. They are about the argument

You are the person I don't clean the house for. This is the highest compliment I know.

It's not the grand gestures. It's not the airport sprint, the boom box on the lawn.

The maples don't grieve. That's the first lesson.

June gives us the longest day and we still waste most of it talking about the weather.

The thing about winter is that it's honest. No leaves to hide behind.

My mother carried me before I was a person. Carried me in the dark of her own body.

You don't keep score. That's how I know.

There's a song that knows more about your life than your therapist.

The ocean doesn't care that you're watching. This is what makes it worth watching.

Someone told me once that poetry is for school. That it lives between September and June.

The first month you count the days. The second month you count the weeks.

I know your tired. Not the kind that sleep fixes.

This is for the person who is dying and knows it.

We shared a room for sixteen years and I still don't know your favorite color.

When you stand in front of everyone you know and a few people you don't.

Saturday starts with silence, slow and soft, sheets still warm from sleeping in.

My grandmother's kitchen smelled like a country that no longer exists.

We have a language that no one else speaks.

It's not the presents. I know it's not the presents because the best Christmas I ever had was the year we couldn't afford them.

The cat does not love you. Let's be clear about that.

Because the news tells you what happened but a poem tells you what it felt like.

The caterpillar is not trying to teach you anything. It's just eating a leaf.

I know your name but not the one on your driver's license.

The score doesn't matter. I know it does. I know there are people who will read that sentence and close the poem.

You didn't bring flowers. You brought takeout and the correct opinion about the show I was watching.

They asked me to say something. As if the right words exist.

Today is not special. No one circled it on a calendar.

I didn't marry the woman I fell in love with. I married the one who showed up after.

They tried to write us out of the story. Edited us to margins.

A child asks: why is the sky blue? And you start to answer and realize you don't actually know.

Sunday morning. Before the sermon. Before the hymns and the handshakes.

The man at the coffee shop paid for the person behind him. This is not the poem.

He's not the one she imagined. She imagined someone with a plan.

The dog does not remember your promotion. The dog does not remember your argument with your mother.

Other men describe their wives like cars they've owned too long. I refuse.

You came first. Four minutes. That's all it took for you to claim the title of oldest.

There is an age— somewhere between three and five— when a child discovers the most powerful word in any language.

My grandmother's hands were a map of everywhere she'd been.

There was a morning— I don't remember which one— when you walked into the kitchen and I looked up.

It starts before you wake. Somehow it's already there.

Marriage is a long argument about the thermostat.

The moon has heard every confession ever whispered from a bedroom window.

Beauty is not what you think. It's not the sunset. Everyone agrees about the sunset.

You will outgrow shoes. This is expected. You will outgrow clothes, bedrooms.

You're not going to believe this, but the thing that's breaking you right now won't matter in three years.

The best basketball happens after the game. When the gym is locked and the scoreboard is off.

I know you're tired. I know the kind of tired that sleep doesn't fix.

A book is a door that doesn't need a key.

Time takes the things you thought were permanent.

He doesn't talk about it. This is how you know.

The roses I remember most are the ones you didn't send.

You dreamed something important last night. I know this because you always do.

You never asked for a day. That's the most father thing about you.

This poem is not going to pretend it knows what you're feeling.

Loneliness is not being alone. I want to be clear about that.

My grandfather could fix anything. The toaster. The fence.

My brain has no off switch. I've looked.

The birds don't care that you're trying to sleep. They have a concert.

You didn't have to. That's the part I keep coming back to.

Not the big things. Everyone is grateful for the big things.

I'm not going to be cool about this. I've tried.

My therapist says I hide in metaphors.

I carry a country that fits in no suitcase, that cannot be folded into neat squares.

I mean I memorized the sound of your breathing when you're almost asleep.

Nobody sits where they're supposed to.

Home is not the address. It's the sound the lock makes when you've been gone too long.

There are things I should have told you sooner.

Missing someone is not an emotion. It's a location.

The world decided to start over last night.

They call it the beautiful game and they're wrong— it's the desperate game.

The kettle hisses its slow complaint— ssssssss— like a secret it's been holding since last night.

Under the lights every town is the same town.

I used to think peace was silence— the absence of noise.

The first month, I kept calling. Not on purpose.

It's raining again and I have nowhere to be angry about it.

Strength is not the fist. It's the unclenching.

I looked it up: inside the chrysalis, the caterpillar doesn't just grow wings. It dissolves.

We took the same route. Past the mailbox you always had opinions about.

She wasn't required to love me this much. That's the thing about aunts.

At first it was a guest. Showed up uninvited but charming.

Tonight the world gives us permission to be something else.

The body knows things the mind will never admit.

Everyone is clean today. Fresh calendars. Fresh starts.

They are the original record of us— the vinyl before the streaming.

I know you don't want a poem about a spider. But consider.

The tulips don't know it's still cold. Or they know and they don't care.

Don't start with what it means. Start with how it sounds.

Love is like a house fire— not the kind that starts in the kitchen.

Hay palabras que se quedaron en la garganta— no por cobardía.

Quédate, no porque yo te lo pida, sino porque la noche es más larga.

Mamá es la primera palabra que aprende la boca, y la última que olvida el cuerpo.

There is a dialect spoken only in the dark— not because it's shameful.

My grandfather had a shed. My father has a garage. I have a corner of the basement.

It's not the number that breaks you. Six million is a statistic so large it becomes abstract.

You didn't choose them. They were assigned to you by an algorithm of proximity and payroll.

They weren't lying about the green. But they didn't tell you there'd be forty shades.

Wales doesn't shout. Wales hums. It hums in the valleys where the coal used to live.

The bell is ringing somewhere. Not for you—not yet— but don't ask who it's for.

Ninety feet between the bases. Someone measured this and got it perfectly right.

Dear Space, I know you're mostly nothing. Ninety-nine point nine percent of you is empty.

She walks like she knows something the room doesn't.

I loved her the way Poe loved— not with sense but with fever.

He's always there when I arrive—waiting, with my face but not my certainty.

Korea is a peninsula— land reaching into water like a hand trying to touch something.

The lights go down and we become anonymous— a room full of strangers agreeing to feel together.

The mountain doesn't care that you're climbing it. It was here before your species.

Fire knows one thing: how to eat. It eats wood. It eats paper.

Everyone remembers the fall. Nobody talks about the flying.

I don't know what it means. The museum card says Oil on canvas, 1889.

When you died in the game, the screen went dark and two words appeared: Continue? Game Over.

You pack what you can carry. Not what you need—what you can carry.

I've been trying to describe your eyes for six years and I keep getting it wrong.

Culture is not the museum. Culture is the grandmother who won't let you leave without eating.

The horse knows something about running that we've forgotten—how the whole body becomes the verb.

Two oranges in my jacket—heavy as the future, round as the world I wanted to give her but couldn't afford.

At 3 AM the hospital breathes differently—a low hum of machines keeping promises the doctors wrote and went home.

My father's car was a 1987 something—I forget the model but remember the sound: a cough that meant winter.

The line goes out. The line comes back empty. This is the lesson: most of what you cast into the world returns without what you wanted.

The sky was the kind of blue that makes you think nothing bad could happen—which is how you know you're still in the before.

City of shoulders, Sandburg said, and the shoulders are still here—broader now, more tattooed, still carrying what needs carrying.

Summer is the season that forgets to end on time—it lingers at the shore like a guest who loves your house more than you do.

The first year after someone dies is a minefield of ordinary things. Their coffee mug. Their side of the bed.

After she died, her garden kept going—which felt, at first, like a betrayal.

My mother gave me her worry—that gene that runs through women in my family like a river that never learned to rest.

Because the body knows things the mind won't admit—and music is the language the body speaks when words have failed their shift.

The most important conversations of my life happened over food I can't remember and meals I'll never forget.

My sister's hands look like mine—same short fingers, same bitten nails, same tendency to talk with them when the mouth runs out of words.

The tree is the same tree—same ornaments, same star, same lights that blink like they don't know someone is missing.

Because prose takes the highway and poetry takes the fire escape—both get you there but one shows you the view from the outside of the building.

I didn't marry the man who brought flowers. I married the man who noticed I was crying in the kitchen and didn't ask why—just stood there and washed the dishes.

I didn't know I was looking until I found you—the way you don't know you're cold until someone hands you a blanket.

She wore the backpack like a turtle shell—too big for the body, perfect for the bravery.

I want to say the thing you already know but haven't heard out loud—the thing that sits in the back of your chest like a fist that forgot to open.

We said 'for richer or poorer' but we meant: I will eat gas station sushi with you at midnight and call it a date.

We grew up in the same house but different childhoods—you got the version after they figured some things out.

You are not the poem I set out to write. You are the poem that wrote itself—sideways, surprising, with terrible spelling and the most honest last line.

The eulogy is the hardest poem: you must condense a life into minutes, make a room full of crying people laugh at least once.

Being in love is the thing that comes after the fireworks—the quiet drive home with the windows down and someone's hand on your knee.